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RDT Reviews The Simpsons Season One (1989-1990)

I’ve decided to repost my review from my old site for this. I originally reviewed season one in 2016.

We’re looking to review every single season of the Simpsons…but doing a short review of EVERY single episode. Each episode will get a grade, as will each season. First, a little preview.

Season 1

The Tracey Ullman Show was one of Fox’s earliest programs as it had recently taken off with Married…With Children. The Simpsons was an animated short, or bumper, in-between segments and commercials during the program. With Fox still looking to add content as a fledging network, the Simpsons would get spun-off into its own show. There were production problems early on as some of the animation looked terrible for the intended series opener (which in turn became the season finale, “Some Enchanted Evening”). The series began much later than expected and with a Christmas Special (intended to be the eighth episode in the series).

Episode 1 (1) – Simpsons Roasting on an Open Fire

In a lot of ways this is a classic despite that a lot of peak Simpsons’ traits are absent here. There’s no crazy version of Homer, he wouldn’t really appear for a few more seasons. Instead Homer’s just a normal man trying to make his family happy for Christmas. He’s relatable in that sense. And while that version of Homer isn’t what made the character famous, it does work. We establish a lot of main and side characters here, which is quite impressive for a 23 minute episode. Bart does no less than three things that show he’s the bad boy, a character that carried early Simpsons seasons (those three things are ruining the school play, getting a tattoo and pulling “Santa’s” beard). Lisa has her moment as well when she defends her father against her aunts, using a detailed explanation that clearly seems advanced for an 8 year old. Marge shows to be the kind hearted matriarch of the family, and even gets a good moment herself (where she hides the Christmas money). Flanders, Mr. Burns and Barney also provide a lot in their few moments. Flanders becomes the neighbor that Homer sizes himself up against…and fails miserably in doing so. Mr. Burns says one thing and you already get an idea of the kind of boss he is. And Barney is, well Barney. There’s a lot here and it’s a great episode as a result. It’s just a bit jarring when you know what’s coming in the seasons ahead.

Grade: A

Episode 2 (2) – Bart the Genius

 We learn a lot about Bart here and get to see him interact in the school environment. It’s pretty amazing that characters like Ms. Krabappel and Martin Prince didn’t really change much at all in regards to their core identities. Same goes for Principal Skinner in some respects, although he would become a much great source of comedy later on. While the strength of the episode lies within Homer being proud of Bart’s discovered intellect, the rest of the characters and episode falls flat a bit. It also isn’t drawn all that well either. There are a few great gags in there though (like Homer giving Bart his tie). There’s nothing really wrong with “Bart the Genius”, but it doesn’t really stand out either.

Grade: B-

Episode 3 (3) – Homer’s Odyssey

  “Homer’s Odyssey” is the weakest episode so far, although that could be because it was the very first episode written. There are only a few highlights here, mostly centered around Bart and his antics. He provides an entertaining first few minutes and we also get the first prank call to Moe. Once Homer is fired from the Plant, the story takes a nosedive. Homer goes from being depressed and nearly committing suicide to realizing his purpose in life is to make sure Springfield is safe. This all results in Homer getting a new position at the Plant, Nuclear Safety Technician. While it’s funny that Homer (correctly) thinks to himself that he’s grossly underqualified for the position, the whole idea of course is silly in future seasons when we see Homer at work. Nonetheless that can’t be held against the episode as it was the first one written afterall. What can be held against the episode is that Homer’s story isn’t much and the episode suffers for it. On the bright side, we did get the first prank call to Moe from Bart and the first instance of Mr. Burns not knowing who Homer is, both of which would become two long running gags.

Grade: C

Episode 4 (4) – There’s No Disgrace Like Home

 Another weak episode here, even weaker than “Homer’s Odyssey”. The entire episode is based around Homer feeling that his family is dysfunctional. Homer as the moral center of the family, a position Marge would usually be in, just feels odd and doesn’t work. While there’s a few solid jokes in this one, there’s really not much else. The fact that the family bonds because they are deemed too unfit for Dr. Marvin Monroe pales in comparison to the stories of the first three episodes. It’s also jarring a bit to see Lisa being as much a troublemaker as Bart. On the plus side, Itchy and Scratchy make their debuts here so there’s that.

Grade: D

Episode 5 (5) – Bart the General

A truly great episode as it foreshadows what made the Simpsons great. While we start off with another standard family story; Bart defending her sister and getting beaten up by a bully as the result, the conclusion is ridiculously over the top that it’s great. We get introduced to Nelson Muntz, who would become one of the most popular recurring characters. We also get introduced to Herman, who while having a big and entertaining role here isn’t used nearly as much in the future. Grampa Simpson is also here and has some funny moments, although like Homer he isn’t in peak form yet. With that being said everyone gets their moments, and Bart clearly breaks out as a star here. I’m pretty sure every 10 year old felt like and wanted to be like Bart after this one.

Grade: A

Episode 6 (6) – Moaning Lisa

Your opinion of this episode will probably be based on whether or not you like the Lisa Simpson character. We learn a lot about Lisa and how much playing the sax means to her. When she meets Bleeding Gums Murphy, a memorable character in his own right, Lisa finally finds someone she can connect with. The result of her arc here has a satisfying conclusion for sure. It’s a bit unfortunate though that the side story involving Bart and Homer steals the episode. Homer and Bart face off in video boxing, which reaches a funny conclusion in itself. We also learn a little bit about Marge and how she was raised. Overall a really good episode with memorable characters…but if you don’t like Lisa you may not like it. There’s a scene with Maggie that made me laugh out loud as well.

Grade: A-

Episode 7 (7) – The Call of the Simpsons

Pretty much everything that made the Simpsons great is here. The first third of the episode, where Homer looks to upend Flanders by buying a nice RV than him, is pure gold. The Simpsons getting stuck in the wild perfectly captures all the Simpsons and even gives us a glimpse of the crazy, insane Homer we get in future seasons. Maggie too has some highlights. Everything works in “The Call of the Simpsons”. The last act can’t be forgotten, where Homer is mistaken for Bigfoot! Of course hilarity ensues there too. Best episode so far and again, all the pieces that made the Simpsons such a great show in its first 10 years are here.

Grade: A+

Episode 8 (8) – The Telltale Head

This is yet another classic Simpsons episode, as well as another that primarily focuses on Bart. It does employ one of my favorite storytelling devices, a frame story beginning in media res. You see Homer and Bart with the head of the town founder Jebadiah Springfield and an angry mob looking to kill them. How the heck did we get here? Bart tells us what happens and it’s little more than a tale of a young boy succumbing to peer pressure and doing something stupid to fit in and be popular. The episode definitely continued to push Bart as the star of the show, and no doubt kids watching probably related with him (something the first season of the Simpsons has done quite well with Homer and Bart). There are some good moments too, Homer in church is definitely a highlight as well as the tormenting of the poor Sunday School teacher with ridiculous questions about who gets to heaven. We also see some characters for the first time (Apu, Krusty, Jimbo, Kearney, Reverend Lovejoy) which is cool, although we only get anything substantial with the bullies. With that being said for a classic episode it feels a little flat. The tone is closer to “Bart the Genius” than the greatness we got in the last few episodes. I also think the characters highlighted in the mob were a bit odd. I get Mr. Burns would care, but seeing him in this angry mob alongside the Skinner’s and Abe Simpson’s of the world felt off. Good, but not great episode.

Grade: B

Episode 9 (9) – Life on the Fast Lane

This is the first time we get an episode that focuses on Marge’s character. Her love for Homer is tested after Homer buys her a selfish birthday gift that he intends to use for himself (a bowling ball engraved with the name “Homer”). She decides to spite him and use it herself. She ends up catching the eye of Jacques, a professional bowler who clearly wants something romantic with Marge. The story is fine, although the actually conclusion seems undeserved from Homer’s perspective and that’s a major gripe from me. Homer doesn’t correct his wrongdoing or anything. He just fears his marriage is falling apart and he doesn’t offer much to fix it. So things working out for them solely works because of Marge’s love for Homer and her family. I suppose that’s great characterization for Marge but it feels so undeserved. Perhaps if there were more scenes with her and Bart and Lisa I’d buy it more. Interestingly the producers spoke about how female fans of the series were frustrated with the conclusion. I can understand why. With that all being said this episode still gets a good mark simply because of its moments and the performance of Albert Brooks as Jacques. The moment Homer unveils his gift for Marge is a great sequence. Marge’s dream about Jacques is visually amazing, especially considering this is still season 1 animation. Jacques is voiced in such an over the top way it’s nothing short of brilliant.

Grade: B+

Episode 10 (10) – Homer’s Night Out

There’s not much to this one. Homer gets caught dancing with an exotic belly dancer by Bart’s spy camera and Marge is furious. There’s ultimately a good lesson to be learned here about women not being treated as objects but other than that and a little of Bart’s mischief it’s a forgettable episode. Also, if you’re following each episode as a chronological story (which…it’s probably best not to) it’s really disappointing to see Homer in this spot after Life on the Fast Lane and the choice Marge made. There aren’t many laughs here either. Bart and his spy camera pretty much take up the good scenes and other than that and Carl’s debut (with a much different voice) this episode is just there.

Grade: C

Episode 11 (11) – The Crepes of Wrath

 “The Crepes of Wrath” is a strange episode that foreshadows some of the over the top plots we’d get in future Simpsons episodes. In order to get rid of him for a few months, Principal Skinner comes up with the idea of sending Bart to France in a foreign exchange program. Homer’s fed up with Bart as well, so he and Skinner are both excited to send him off. The Simpsons get an exchange student in return who seems quite perfect. Bart’s side of the story takes an ugly turn as he’s forced into child labor which paints Bart as a sympathy figure who saves the day in France. Meanwhile it turns out the student the Simpsons got back is a spy for another country. Neither side is particularly entertaining other than Homer not realizing he’s giving a spy tons of blueprints and plans to “an unfriendly country”. Also in Homer’s case, these last three episodes showed a really disappointing turn in Homer’s lack of commitment to his family, especially from what we saw in the first few episodes. There are some high points for sure here though, basically all before the two stories come together. Bart’s prank on Skinner’s mother continued that bad boy image that made Bart a star. And, as we’ll get to in later seasons, slapstick violence on Homer Simpson just seems to be money and we get a little bit of that here. I can’t say I liked this episode though. It gets a little bit of a bonus for what I said about foreshadowing over the top storylines in the future though.

Grade: C+

Episode 12 (12) – Krusty Gets Busted

From a theoretical sense this episode probably isn’t considered to be that great. Other than a few moments (the moment Homer sees Krusty in the Kwik E Mart for example) it’s not really an episode played for laughs and the only characters who really get any screen time are Bart, Lisa, Krusty and Sideshow Bob. With that being said who cares! There’s a really good story here and a well done mystery as well. If you were watching it for the first time you can figure out what happened pretty quickly in regards to the crime. Both Krusty and Sideshow Bob are memorable characters right out of the gate and we also establish one of the great rivalries of the Simpsons that’s still being used today: Bart vs. Sideshow Bob.

Grade: A-

Episode 13 (13) – Some Enchanted Evening

This was supposed to be the Series Premiere as opposed to the Season Finale and it shows. The first season of the Simpsons really developed as it went on and as a result “Some Enchanted Evening” feels out of place. That’s not to say some things don’t work because they definitely do. Bart and Lisa’s prank calls to Moe are always good for a laugh and Ms. Botz is an entertaining antagonist. Everything else misses though. We already had two episodes focusing on Homer and Marge’s marriage and for the most part those episodes were stronger.

Grade: C

Season Review

To be honest I found the 1st season of the Simpsons to be stronger than I remembered it. It’s rather impressive that so many characters that appeared in the season stayed true to their original selves. The only real changes you see over time is like to Moe, who really just becomes a more involved character, and others like Carl Carlson who just needed an identity. The template for the Simpsons peak that would take place over the next nine or ten years was set in stone here. You just have to weave through some of the growing pains too.

Grade: B+

RDT Reviews Snow White and the Seven Dwarves (1937)

 

Released: December 21, 1937
First Seen: I really couldn’t tell you, but it was on VHS in the 90s.

Last Watch: Disney+

This probably won’t be a long review, I didn’t think ahead of time how difficult reviewing something from 1937 would be until I started thinking about this.

First thing worth mentioning: I actually enjoyed watching this! I wasn’t expecting much, just a prototype of the Disney formula we’re still getting to this day (and that Disney’s made billions off of). And while yes, that’s exactly what it is, there’s much more personality in the characters than I expected. Especially in the titular character Snow White herself. She’s cheerful and pretty much emotes for everything. One hilarious moment is that when one of the dwarves, Grumpy, looks to not take a liking to her she outright mocks him for it. I did not expect this film to make me laugh but here we are.

The story here isn’t particularly deep, but I don’t know what films had deep stories in 1937. The Queen is told by a magic mirror that Snow White is the fairest one of all, so she (the Queen) formulates a plan to have Snow White killed. She sends her Huntsman to do it, but he cannot and instead warns Snow White about the Queen’s plan. Snow White meets some woodland creatures that lead her to the Dwarves cottage where she decides to just make herself at home.  The Dwarves do welcome her presence though (well, except for Grumpy at first) and we actually spend some time with them having fun and dancing. That scene is actually quite nice to see, you don’t often see characters get closer to one another like this in a Disney film anymore.

She talks to animals and it always impresses…

The Queen finds out where Snow White is, transforms into an old hag and creates a poison apple. She goes to a cottage and gets Snow White to eat the apple, which kills her. The Queen ends up getting struck by lightning though, ending her story. The Prince comes to kiss Snow White to wake her up, which breaks the spell of the apple and they live happily ever after.

Obviously not much of a story but it serves as a template for many if not all of the Disney princess fairy tales over the next century. But, in contrast my expectations were succeeded. It does have some outdated ideas (especially the kiss at the end waking up Snow White and Snow White’s “I’m so alone” mantra) but I keep feeling like I need to go back to “it’s 1937”. It’s also a shame the Queen is nameless, because she becomes a fun villain when she transforms into the old hag and makes the poison apple. I also feel like I haven’t really wrote about the Dwarves, but they’re all fun supporting characters (and see you see characters like Dopey all the time to this day as well).

Basic, but fun villain.

The fact that this film is still an enjoyable watch 81 years later is very impressive. Sure the animation has been updated but everything still works overall.

Best Scene: The Queen’s transformation to the old hag is just fun.

Worst Scene: I cringed at the idea of Snow White just entering the Dwarves’ home and touching their belongings.

Final Thoughts: She’s the original princess. Even if it’s for pure historical reasons, this has to get a good grade. Maybe it could get an S on those merits alone but I can’t go that far.

Grade: A

RDT Reviews Star Wars – The Sequel Trilogy

With Rise of Skywalker hitting its theatrical release, the time has come to how well the Sequel Trilogy (Star Wars: Episodes VII, VIII and IX) interweave with the Star Wars canon. For this, we’ll review each episode as it’s own standalone film, and then grade the trilogy as a whole. Also, SPOILERS clearly ahead.

Released: December 18, 2015
First Seen: December 2015, in Theaters
Last Watch: Disney+

Perhaps no Star Wars film (or film in general) had the pressure to satisfy audiences as well as perform at the box office as much as Episode VII: The Force Awakens (TFA). TFA gave us trailers featuring classic characters such as Han Solo, Princess Leia and Luke Skywalker all the while showing us a cool and bad-ass looking new member of the darkside (Kylo Ren) as well as new characters Finn and Rey. There’s a lot to unpack here . Did TFA stick the landing? For the most part, yes.

Everyone was ready for Kylo Ren to continue the legacy of the darkside…

TFA does not waste time getting into things. The opening crawl is clear what we’re in for (Luke Skywalker had vanished, and the First Order is looking to take over). It’s a race for the Resistance to find Luke (or specifically, a piece of a map that leads to Luke) before the First Order does. Say what you want about MaGuffin-style storytelling, but it’s effective here as every character has a different reaction to Skywalker (or the existence of Skywalker). Poe Dameron, the Resistance pilot tasked with recovering the map treats it as the most important thing in the galaxy. Rey is shocked at the idea that Skywalker exists, thinking he may have just been a myth, and so on and so forth (not trying to spoil the entire film here!). Interestingly enough, this is probably my favorite “version” of Luke Skywalker in all of Star Wars: the legend that’s disappeared to do who knows what. It’s a great question (that isn’t answered here) that really leads us into Episode VIII: The Last Jedi.

TFA also spends a good amount of time developing our characters, although there are questions that we hope to get answered later in the trilogy. While TFA shares a lot with Episode IV: A New Hope, I appreciate the differences between Rey and Hope’s Luke Skywalker. Viewers are quick to realize Rey’s our main hero here (although there are some red herrings with Finn), but it doesn’t look like Rey wants any part of it (Hope’s Luke couldn’t wait to get involved).  It’s a nice change of pace. Watching TFA again and knowing how the trilogy ends, I’m excited to see Rey accept her powers and who she is as opposed to someone looking to gain or earn power. But we get some of that too with Kylo Ren and his arc. One of the criticisms of TFA is that it’s too similar to A New Hope. Structurally that’s true, but the characters themselves are different and it works very well.

I like all of the main performances, and Harrison Ford once again steals the show as Han Solo (and doesn’t distract from the main story). We can easily see how the character of Han Solo has evolved. It’s clear that not only the wars of the Original Trilogy have softened him a bit, but the aftermath did as well. Same goes for Carrie Fisher’s General Leia. I also find Daisy Ridley, Oscar Isaac and John Boyega to be really good in their roles as well. I do find that the writing puts too much emphasis on the comedy aspect of Boyega’s Finn, but it’s not bad or anything.

han solo
Han Solo (and Chewie) were both amazing once again…

Another criticism of TFA was that there were no memorable music pieces. Those who said that must have watched a version without sound because themes for the Resistance, Rey and Kylo Ren are all excellent and I absolutely love “The Jedi Steps”. Absolutely crazy critique.

The only negatives I really have for TFA is the lightsaber scene near the end. Finn somewhat holds his own in a duel with Kylo Ren and Rey outright beats him. A strange decision that affected how I viewed Ren (which is a shame, because he’s amazing and probably the best character in this whole trilogy). I would have preferred we didn’t do that here, even if Disney wanted good to win Round 1.

Best Scene: It’s tough because Han Solo has plenty of amazing scenes here (as I wrote, he steals the show). I’ll go with his reaction to hearing about the map to Skywalker, and him telling Finn and Rey that “it’s [the legend of the Jedi and the darkside] true, all of it”. You can tell right there that Han’s been changed by the entire experience.

Worst Scene: There’s this out of place scene right after Han meets Rey and Finn involving monsters called rathars. It’s so out of place it’s almost laughable.

Other Thoughts: BB-8 had an excellent debut as the droid to “replace” R2-D2, but it’s not there yet. Knowing how Snoke ends definitely lowers his impact here, but there was definitely intrigue at the time. The ending scene with Rey and Luke Skywalker, barring the weird helicopter cam, is one of my favorites in all of Star Wars. The opening scene is my 2nd favorite in Star Wars as well (behind Revenge of the Sith).

Personal Story: One regret I have is that coming into the film, I was so focused on theory and analyzing that I didn’t it back and enjoy the film, and actually didn’t love it on first watch. But every time I came back to it I liked it more and more and would  say it’s my 3rd or 4th favorite film in the franchise.

Final Thoughts: More importantly than anything else, this movie is a lot of fun. It’s a thrill ride with very few slow parts and a lot to take in. It also provided a lot of set-up for Episode VIII and Episode IX. It also made Disney look like geniuses at the box office, becoming the third film ever to reach the $2 Billion mark (it’s 4th all-time now).

Grade: A-

Released: December 15, 2017
First Seen: December 2017, in Theaters
Last Watch: Disney+

With incredible trailers and incredible reviews, hype was higher than ever for Episode VIII: The Last Jedi (TLJ). Unfortunately, the risks TLJ takes split the Star Wars fanbase and that fact is as important to this trilogy as the film itself.

Unlike every previous installment of the series, TLJ kicks off right after TFA. TLJ has three stories woven together, and a few things become readily apparent that Rian Johnson is not playing this one safe. First of which is the introduction of Poe Dameron’s character arc. Despite being a fine leader in TFA suddenly he’s the hothead who doesn’t listen to his commanding officers. Poe’s actions in the entire film directly cause the ending sequence and he really gets let off free in regards to this. Had the Resistance lost at the end, you can directly blame Poe for sending Finn and a new character named Rose (we’ll get there) on their side quest to infiltrate Snoke’s ship. Poe’s conflict with Vice Admiral Holdo is written quite poorly (even if it actually does make sense, despite many feeling it didn’t). Holdo had a plan to escape The First Order, doesn’t tell Poe (which i am okay with, she outranks him afterall) and Poe helps Finn and Rose on their journey as well well causes a mutiny against Holdo. Really messy all around.

Speaking of Finn and Rose, Finn ends up with a similar character arc as TFA and it almost kinda works. The issue is how we get there. So once again Finn wants to run, but Rose, who’s sister died in an earlier battle, is tasked with stopping all deserters. Somehow they end up with a plan to stop the First Order from tracking their ship and tell Poe (not Holdo) about it. Poe helps them do it, sending them to find a master codebreaker to break into Snoke’s ship to turn off the tracker. Where Finn and Rose end up though is Canto Bight, and suddenly we’re talking about social justice topics in regards to cruelty to animals and how rich people become rich. While these are fine stories to tell and there definitely could have been a place in the trilogy to tell it, it’s completely distracting here and this side of the story goes off the rails. It’s a shame because the payoff is actually pretty cool (The Codebreaker betrays Finn and Rose, leading to a Captain Phasma vs. Finn showdown) and the acting is good all around. The Codebreaker’s betrayal leads to the First Order knowing Holdo’s plan, and if it weren’t for her amazing maneuver of shooting the ship at lightspeed through Snoke’s ship (absolutely amazing, if not questionable storyline wise) this battle would be over.

It’s also worth noting that this entire side of TLJ wasn’t about a high speed space chase or anything. The First Order was simply waiting for the Resistance to fun out of fuel. I have no idea how that passed the writing table. These are some of the worst ideas in all of Star Wars.

The Holdo maneuver is awesome, controversial as it is

And yet, the other side of TLJ is absolutely amazing. Rey has found Luke Skywalker to either bring him back to face Kylo Ren or to train Rey herself. But Luke’s shut himself off from the Force due to the fact he played a major part in Ben Solo’s turn into Kylo Ren. Mark Hamill is amazing here, showing disgust, annoyance and fear at all different points. Of course, this decision (to have Luke as a bitter old hermit) led to the backlash against TLJ as many felt (including Hamill himself at one point) that Luke wouldn’t become a bitter character. And I must say those people (including Hamill) are wrong. Making Luke the returning hero  to save the day without conflict is a boring route that takes away from the character this trilogy is building (Rey). It’s not Luke Skywalker’s story, it’s Rey’s. Pretty much all of Rey, Kylo Ren and Luke’s scenes are incredible, and the throne scene once Ren kills Snoke (Snoke was pretty fun here too) may be the best scene Star Wars has to offer period. At the time I absolutely bought that Kylo Ren was going to turn to the light and was shocked that he didn’t. Despite it apparently being weakly choreographed (I would have never noticed if I hadn’t seen it in slow motion) Snoke’s guards vs. Ren and Rey is one of my favorite battles in the entire series. Best of all, up onto that point Rey has risen above what Luke Skywalker had become and what Kylo Ren had refused to do. It’s absolutely refreshing to have a character not being forced to do anything because of a prophecy or a destiny. It feels that Rey is making her own choices without influence and it’s really fantastic to see.

I also need to include that after seeing this film for the first time i was all-in on Kylo Ren and arguedat the time he could have ended up as the greatest Star Wars character ever. The entire “let the past end” combined with him doing everything to accomplish just that (killing Snoke, trying to destroy Luke Skywalker) is absolutely perfect. Also, for all the issues people have with this film being “retconned” by Rise of Skywalker, Kylo Ren always showed signs of wanting to return to the light, specifically when he doesn’t pull the trigger to kill General Leia. Kylo Ren at this point is proving to be a complex character who wants the past to die, but can’t quite let it go either.

There’s another whole finale after the three stories connect on Crait. Action wise it’s not quite TFA but it’s still okay. Two things happen that I do think hurt the film and the trilogy overall. The first is on a smaller scale. Finn is about to sacrifice himself for the Resistance, and Rose stops him with one of the worst quotes in the entire series; “We’re going to win this war not by fighting what we hate, but by saving what we love.” Not only have two characters sacrificed themselves for the Resistance (Rose’s sister and Holdo) in this film, in one of those cases (Holdo’s) the war probably ends without it. I feel bad for the backlash Kelly Marie Tran received for her performance as Rose (it was a good performance, just a bad character) but lines like that did not do her any favors. Anyway Finn’s arc could have been completed right at that moment.

The second issue with the finale is a conflicting one for me because the scene itself is awesome. So Luke Skywalker does return to face off with Kylo Ren. And while there’s some force trickery involved both Hamill and Adam Driver are excellent here and you really feel the scope of this big showdown. The issue here is that it steals Rey’s moment. Kylo Ren is in the spotlight (and killed Snoke to get there) as it should be, but Rey is off trying to help the Resistance escape by moving a bunch of rocks? Kylo doesn’t get a decisive victory over Luke either here. Awesome scene to see, but Rey needed to be involved in a bigger way here. This is also why Rey’s victory over Kylo Ren was a bizarre choice in TFA, because Kylo Ren still hasn’t beaten Rey and I’m wondering what the challenge to Rey is at this point.

Right showdown…wrong time

Best Scene: The moment Ren kills Snoke through Rey realizing Ren hasn’t quite turned to the light just yet.

Worst Scene: Unfortunately there are a lot of choices here (mostly on Canto Bight), but I’ll pick Rose’s saving of Finn.

Other Thoughts: BB-8 was still fun but a bit forgettable this time around…Carrie Fisher was great as well even if I didn’t write about her in this review…a lot of new Force powers are introduced here and I have no issue with any of them. The Force should evolve afterall. The comedy here missed more than hit, Finn coming out with water spraying all over the place was eye rolling, for example.

Personal Story: I absolutely loved this film the first time i saw it, but I chalk that up to a case of really getting into the good which forgives the bad. Admittedly this film isn’t as fun and even a bit of a tough rewatch. I can forgive all the Poe and Canto Bight stuff though, because they are supporting characters. But I can’t really get past Luke stealing Rey’s moment at the end. That hurt the film more than anything else.

Final Thoughts: I don’t find this to be the all-time great film that critics were saying, but those complaining that this shouldn’t be part of the Star Wars canon are also wrong. This film added dimensions to Luke Skywalker as well as pushed the two most important characters, Rey and Kylo Ren, to new heights. After analyzing this, I only need two things from Rise of Skywalker (which I got), some explanation for Rey being as powerful as she is, and Kylo Ren turning to the light (or becoming the big bad). If the secondary characters weren’t messed with so much here this would be the all-time great critics said it was…but alas the Luke-Kylo-Rey stuff just has to carry (and it does).

Grade: B

Released: December 20, 2019
First Seen: December 2019, in Theaters
Last Watch: In Theaters

I honestly didn’t know what to expect coming into Rise of Skywalker (ROS). While I enjoyed both TFA and TLJ, even as a fan ROS seemed to get lost somewhere. I’m not sure if it was due to Disney fatigue, or if the rabid Star Wars fandom (at this point purely against TLJ to the point that Rotten Tomatoes audience score was allegedly review bombed) had finally got to me. Maybe it was because, since we had last seen Star Wars on the big screen, Marvel busted out Avengers: Infinity War and Avengers: End Game and there just wasn’t any emotional energy left to give a big name franchise. J.J. Abrams had an answer to all of this: “I’m just going to give you everything you all wanted”. And somehow…it mostly works and it’s amazing.

First thing to point out is that ROS does not waste time. The first teaser trailer told us Emperor Palpatine is back and our opening crawl tells us as much. A common complaint was that Palpatine coming back via opening crawl (or Fortnite event apparently) was stupid and I can’t say I agree. I don’t think we needed another 15 minutes watching Palpatine use Sith powers to turn into a Sith ghost. For anyone who paid attention to Revenge of the Sith, Palpatine’s resurrection is perfectly explained. And right away, you know where the film is going and the brilliance of Palpatine’s return. I’ve already written about the issue that Rey is currently overpowered with seemingly no equal, and we don’t know why the Resistance just won’t unleash her on the First Order. Well, when you have a character like that with one episode or story left to tell, you bring back the only character who can face her and deal with her. In this case, it’s the Emperor. Suddenly Rey’s the underdog again.

Who else could face Rey…

Interestingly enough though, there’s a twist involved that’s apparent from scene one. If this was just paint by the numbers, Kylo Ren would blindly follow the Emperor and perhaps turn at the end. But Kylo Ren is having none of Emperor bs and honestly, I thought there was a chance he was just going to off him right away and become the big bad. I would have been all for it too had Ren actually won a big fight in this trilogy. Palpatine plays his overpowered fleet card and gets Kylo on his side. Why is this different than the predictable scenario I laid out at the start of the paragraph? Because all film Kylo doesn’t seem to care about Palpatine and even talks about killing him when trying to convince Rey to join him. And that’s what really makes Kylo Ren an incredible character. He’s not the Emperor’s lackey or sidekick. He thinks of himself as an equal (or even stronger) than Palpatine and his attitude all film is “I’ll kill Palpatine if and when I want.” And even Palpatine in his dead state can’t read Ren (“The Jedi apprentice still lives, perhaps you have betrayed me”). Ren wants to crush everyone and rule the galaxy with Rey. Fantastic all around and a good follow-up to what TLJ did with him.

Speaking of Rey, while some pieces of her story is inconsistent, I think they work for the most part. All trilogy she’s been trying to find her place in the story. Thinking her parents were no one, she just seemed like a powerful character involved in this war with a connection to Ren. At the start she respects Leia as her master as she has the choice to do so. She’s not someone bound by “destiny”. She’s legitimately a good person who wants to do the right thing with the power of love and such. And how do you create conflict with a character like this? You take what she’s accepted in her life and tell her no, your destiny is you will take the throne of the Sith! She’s told that becoming Empress Palpatine is her place in the story. It’s a tremendous way to create a conflict with a character that did seem too strong and didn’t seem to have much of a story. Best of yet, because of Kylo Ren there’s a plausible scenario of Rey actually taking the throne and facing off with a converted-to-the-light Ben Solo (not that this was likely, mind you). The idea that Rey chooses to remain with the light, bringing light and hope along the way to those she encounters is a great one. Han Solo, Luke Skywalker and now Ben Solo (and by extension, the entire Resistance) are drawn back into the “right” side of the fight by Rey’s spirit and that’s a hero I believe in.

Be honest, there’s a part of you that wanted this…

The biggest issue for the film is that a lot of stories are crammed in. I like Finn a lot here, but the idea of him finding other rogue stormtroopers is something I wish was explored in TLJ as it had a lot of potential. Finn being force sensitive though is a nice touch and is something else that I wish there was time to explore (anyone having force sensitivity is a good carryover from TLJ though). We get a lot of history for Poe Dameron and while it’s fun, again it’s rushed a bit as J.J. clearly was trying to make up for not having a middle film to work with. Bonus points for Poe performing some crazy flying tech (even if the tech itself is bs). He is the best pilot in the galaxy afterall. Unfortunately Rose was put on the backburner, and even BB-8 didn’t seem as important as before. Maz Kanata is absolutely wasted. But at the same time, other characters old and new got their moments. I liked Jennah, General Pryde and Zorii, appreciated Chewie and Lando, and loved Hux’s story arc conclusion. The use of posthumous Carrie Fisher, while awkward in some spots, does work for the most part. If I had to take this all as a whole I would consider it a net positive, but I can see where viewers wouldn’t feel any of this.

Ultimately, this film shines in its final act. The moment Rey battles Kylo Ren and beyond is absolutely amazing. Emperor Palpatine goes full secret final boss mode and pulls out all the craziness, all while taunting Rey every step of the way. I assume some viewers found this to be over the top, but if there’s ever a time to pull out all the stops it’s in the last moments of the last film. Rey calling upon all the Jedi of the past to take out Palpatine and all of the Sith a perfect ending to the saga. Rey using Luke and Leia’s lightsabers to take out Palpatine once and for all is a nice show of respect for the OT. Ben Solo shines here as well, but never takes away from Rey’s moment. By the end of the film, there is no question that Rey earned the name Skywalker.

The final battle in the sky with the Resistance against the Last Order is breathtaking. While Lando bringing in reinforcements falls short of Endgame’s emotional climax, I also don’t think that’s a fair comparison (it’s just similar enough that it’s worth mentioning). The idea of attacking a Star Destroyer by actually taking the fight on the actual destroyer itself was incredible though, and Finn for the third time in three films stands up and makes the hero move. I’m glad to see that this time he pulled it off.

Best Scene: I hate to cop out but I’m going to here and pick two. The opening scene with Kylo Ren meeting the Emperor was incredible for Adam Driver’s performance alone. Look at Kylo Ren in TFA and TLJ and look at him here. There’s a sense of seriousness and it’s mind blowing. I was sold on the film instantly. Otherwise, Rey force teleporting the lightsaber to Ben Solo to take out the Knights of Ren, combined with Rey taking out all Palpatine’s guards is amazing.

Worst Scene: Our heroes end up in a sand pit (it’s literally one sand pit, how lucky) that ends up as a plot of convenience. While what happens down there is fine, we don’t even see how they get out.

Personal Story: I wrote a bit of a personal story at the start here. I don’t know if I’m getting more sentimental as I get older, but I felt this movie. As someone who doesn’t care about my family name, it’s inspiring to me to see Rey’s character choose and earn who she wants to be. I really had no expectations here, and I was blown away by just how good this film is.

Final Thoughts: There’s a video on Youtube of a young girl going to Disney World and getting amazingly excited when she meets Rey. Millions of young girls will grow up being who they want to be as opposed to who they are told they had to be, drawing inspiration from Rey Skywalker. Rey’s journey doesn’t dampen the stories of Luke and Anakin of the past, but instead adds a thrilling final chapter to an incredible fantasy world. Rise of Skywalker had the impossible task of closing out a 42 year, 9 (11?) film saga, and somehow pulled it off. No film in the Skywalker Saga drew from the mythology of the prequels, the charm of the OT character all while telling a new story like Rise of Skywalker does. Maybe it’s not the best Star Wars film (although, if you argue for it I definitely am not standing in your way), but it’s certainly the greatest.

And if this is what too much fan service is then please give me more fan service.

Grade: A+

Trilogy Thoughts: We’ll never see something like the Skywalker Saga again. It’s a shame that behind the scenes there was a lot of confusion about the direction the directors wanted to go. This only got worse when J.J. Abrams re-took the helm, as of course he wanted to close out the stories he started in TFA. Rian Johnson’s TLJ is always going to be the odd one out in this trilogy. For sure, some characters suffered here.

But the main characters shine and that’s what important. And despite a section of the Star Wars fandom feeling that TLJ shouldn’t be canon because of Luke Skywalker’s portrayal and that’s really unfortunate, because Skywalker’s payoff is arguably the most heroic of any Star Wars film. All of the OT characters presented have a satisfying end and help push the story along and are done with respect. It’s okay to take chances as long as the conclusion makes sense! Han, Luke, Leia, Chewie, Yoda  and every voice that spoke to Rey  and Ben provided the support that’s needed when establishing new characters. As Yoda says in TLJ: “We are who they grow beyond. That is the true burden of all masters.” To some people the OT will be Star Wars. But to a generation today, the ST is Star Wars.

I can’t give the trilogy an amazingly great score because of the continuity issues presented by the directorial issues. But this trilogy had everything and I hope in 10-15 years it’s remembered fondly. I think it’s my favorite too.

Trilogy Score: B+